“Ultimately, the glory of “The Love Potion” is Martin’s magnificent score, which Benjamin Makino conducted meticulously. Makino, consistently sensitive to the work’s exquisite timing and placement of dynamics and color, made the most of the composer’s subtle chamber orchestra textures.” – Rick Schultz, Los Angeles Times

“With subtle but informative gestures, Makino led his players in sensible tempi and added pathos to the performance of this music written in a style that showed the influences of both Claude Debussy and Arnold Schoenberg. Although much of the orchestral music worked its magic in a subdued manner, this conductor partnered with the singers as they dramatized their parts on stage.” – Maria Nockin, Operawire