“Ultimately, the glory of “The Love Potion” is Martin’s magnificent score, which Benjamin Makino conducted meticulously. Makino, consistently sensitive to the work’s exquisite timing and placement of dynamics and color, made the most of the composer’s subtle chamber orchestra textures.” – Rick Schultz, Los Angeles Times
“With subtle but informative gestures, Makino led his players in sensible tempi and added pathos to the performance of this music written in a style that showed the influences of both Claude Debussy and Arnold Schoenberg. Although much of the orchestral music worked its magic in a subdued manner, this conductor partnered with the singers as they dramatized their parts on stage.” – Maria Nockin, Operawire
“Soprano Pureum Jo was a Susanna both lovely and lyrical, her dramatics faultless and her control in her delicate garden aria — 2½ hours into this production — was impressive. And, yes, it was fun watching her punch out Figaro a few times for attempting to trick her himself.” – Naples Daily News
Chuck Hudson’s zany and feisty Don Pasquale (production owned and created by Arizona Opera) opened the Fort Worth Opera Festival on Saturday, April 28, 2018. Reviewers have praised the production since it’s inception, with further performances with Cincinnati Opera, Atlanta Opera, and Minnesota Opera. The production will travel to Pittsburgh Opera in the 2018-2019 season.
Texas Classical Review said of the performance in Fort Worth: “Director Chuck Hudson, known for his innovative approach to opera, created this version for Arizona Opera in 2014, with whimsical sets by Peter Nolle and equally engaging costumes by Kathleen Trott. With a few minor adjustments in the text, some added scene-change music (with fake classic film footage) and lots of mild visual slapstick, the production neatly enhances and retells this predictable romance for 21st Century audiences.”
For more information on Chuck Hudson’s productions, please visit www.chdirector.com.
Baritone Craig Verm made his role debut as the title character in Mozart’s masterpiece Don Giovanni at The Dallas Opera. Originally scheduled to sing the role of Masetto, Verm stepped in for an ailing colleague for his first interpretation of the iconic role to rave reviews.
L2 Artists Daniela Candilari, Jonas Hacker, Joseph Lattanzi, Venessa Becerra, and Sam Handley receive critical acclaim for Fellow Travelers at Lyric Opera of Chicago
Opening night of San Francisco 95th Season will feature the role debut for Toni Marie Palmertree of Liu in Puccini’s iconic Turandot. Performances continue through September 30th.
Daniela Candillari, Joseph Lattanzi, Vanessa Becerra, and Sam Handley announced for FELLOW TRAVELERS at Lyric Opera of Chicago
Lyric Opera of Chicago announced casting for their new production of Fellow Travelers. Daniela Candillari makes her conducting debut with the production which features Joseph Lattanzi returning to the role of Hawkins Fuller for which he received critical acclaim. Also make her Lyric debut is Vanessa Becerra as Miss Lightfoot, and Ryan Opera Center graduate Sam Handley returns to the Lyric in multiple supporting roles. Performances take place March 2018.
Houston Grand Opera Studio alum, Sofia Selowsky, will return to the HGO stage as Rosina in Rossini’s Il barbiere di Siviglia, her debut in the role.
Soprano Elizabeth Sutphen has been announced to take on the role of Romilda in a new production of Xerxes. A member of Oper Frankfurt’s studio program, her other assignments in the season include Tiny, Paul Bunyan’s daughter in a new production of Benjamin Britten’s Paul Bunyan, Musetta in La boheme, and Papagena in Die Zauberfloete.
A rising star in the operatic firmament whose Houston Grand Opera portrayals of Cassio in Verdi’sOtello and Ferrando in Mozart’s Così fan tutte thrilled audiences, American tenor Norman Reinhardt is here a stylish, polished Belmonte whose earnestness is expressed in clear tones and long-breathed lines.