Hunter Enoch

Hunter Enoch

Hunter Enoch, bass-baritone

Hunter Enoch
Hunter Enoch

Bass-baritone Hunter Enoch, originally from Paris, Tennessee, joined the Domingo-Cafritz Young Artist program at Washington National Opera in the fall of 2015. During his time with the company, he was heard as Count Almaviva in the Young Artist performance of Le nozze di Figaro, a Corporal in The Daughter of the Regiment, ADC in The Dictator’s Wife, covered Joseph De Rocher in Dead Man Walking, and sang Sharpless in the Young Artist performance of Madame Butterfly. He made his WNO debut as Moralés in Carmen and was later heard as James Miller in the world premiere of Better Gods. In the 2018-19 season, Mr. Hunter returns to WNO as William Dale in Silent Night, makes his company and role debut as Scarpia in Tosca for Opera Birmingham, and sings Happy in La Fanciulla del West and Raimondo in Lucia di Lammermoor for Maryland Lyric Opera.

Since departing the WNO Young Artist Program, Mr. Hunter has made significant debuts throughout the United States. In the summer of 2018 he made his Detroit Symphony Orchestra debut as Ping in Turandot, followed by his role debut as the Four Villains in Les contes d’Hoffmann at the Aspen Music Festival. Previously in that season, he was heard as Zuniga in Carmen with Rochester Philharmonic, Escamillo in Carmen with The Washington Chorus at The Kennedy Center, and in Bernstein’s Songfest with National Symphony Orchestra. In the summer of 2016, Mr. Enoch returned to The Glimmerglass Festival as a guest artist to sing Marcello in La bohème and cover the role of John Proctor in The Crucible, following his festival debut as Sharpless in the Young Artist Performance of Madame Butterfly in 2014. He was a Resident Artist at the Academy of Vocal Arts during the 2014-2015 season where he appeared as Taddeo in L’italiana in Algeri, Marcello, and Valentin in Faust.

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Other training includes Seattle Opera’s 2012-2013 Young Artist Program, where he sang Il Cavaliere di Belfiore in Un Giorno di Regno; the Emerging Artist program at Virginia Opera where he sang the roles of Moralès and Wig Maker in Ariadne auf Naxos in 2014; Chautauqua Opera as a Studio Artist in 2012; and the Studio Artist program at Wolf Trap Opera in 2010 and 2011. He earned his Bachelor of Music and Master of Music from University of Cincinnati’s College-Conservatory of Music. Mr. Enoch has appeared as a semifinalist in the Metropolitan National Council Auditions, and is the recipient of the Sullivan Foundation’s Career Development Award.

"Toreador Song" from CARMEN - Bizet

"Ya Vas Lyublyu" from QUEEN OF SPADES - Tchaikovsky

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© L2 Artists 2018 Designed by Audrey Saccone / Copy by Patrick Kirkland

Sam Handley

Sam Handley

Sam Handley, bass-baritone

Sam Handley
Sam Handley

Sam Handley has been praised for “his rich, burnished” voice and the “genuine emotional depth of his characterizations.” As a member of Lyric Opera of Chicago’s Ryan Opera Center, he performed more than a dozen roles, including Quince in Britten’s A Midsummer Night’s Dream and Tom in Un ballo in maschera. After appearing in Il trittico at the Castleton Festival, he returned to sing Colline in La bohème with Lorin Maazel. Charles Ward of The Houston Chronicle has described his “vivid and polished singing” as “. . .leaving the audience panting.” On the symphonic stage, his deep repertoire encircles masterworks of Handel, Haydn, Bach, Beethoven, Stravinsky, Vaughan Williams, and Mozart, in whose Requiem Handley has been described as “striking in the tuba mirum.”

In the current season, the bass-baritone continues his stellar concert career in performances of Beethoven’s Symphony No. 9 with the University of Wisconsin-Milwaukee, Messiah in Houston, TX, and makes his role debut as Frank in Die Fledermaus for DuPage Opera. The 2017/18 Season heard the bass-baritone in Verdi’s Requiem (Champaign-Urbana Symphony Orchestra and Elmhurst Symphony Orchestra), The Mikado (Northwest Indiana Symphony Orchestra), Vaughan Williams’ Dona Nobis Pacem (UW-Milwaukee orchestra and chorus), and Beethoven’s Symphony No. 9 (Symphony New Hampshire). On the operatic stage, Handley joined The Dallas Opera for  Der Ring des Polykartes. Additionally, he returned both to Lyric Opera of Chicago for Fellow Travelers and to Beijing, China, to sing Konrad Nachtigall in The National Centre for Performing Arts’ production of Wagner’s Die Meistersinger von Nürnberg.

Highlights of the 2016/17 Season included a continuation of The Essential Ring as Alberich in Jonathan McPhee’s new distillation of Wagner’s Der Ring des Nibelungen with both the Lexington Symphony and Symphony New Hampshire in collaboration with the Boston Wagner Society. With Lyric Opera of Chicago and Second City, Handley covered the role of Wotan/Morgan in Longer! Louder! Wagner! and returned to his alma mater’s home of Stevens Point, Wisconsin, as the bass soloist in Händel’s Messiah with the Central Wisconsin Symphony Orchestra. Handley sang Pish-Tush in The Mikado with Dupage Opera, Mozart’s Requiem with Sarasota Orchestra, and joined the roster of the Metropolitan Opera for Der Rosenkavalier.

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In the 2015/16 season, Mr. Handley performed the role of Konrad Nachtigall in Die Meistersinger with the San Francisco Opera and Alberich in The Essential Ring with the Lexington Symphony and Symphony New Hampshire. He sang the Sprecher in Opera Colorado’s production of Die Zauberflöte, and on the concert stage performed as soloist in a concert performance of Roger Waters’ opera Ça Ira with the Nashville Symphony, both in the 2014/15 season. With the Atlanta Opera, he sang Basilio in  Il barbiere di Siviglia. He recently made his European debut (as well as his role debut) as Escamillo in a new production of Carmen with Theater Aachen. He returned to the Lyric Opera of Chicago for their production of Die Meistersinger as Hans Folz. Mr. Handley made his Asian debut in Beijing at the National Centre for the Performing Arts as Basilio in Il barbiere di Siviglia, conducted by Lorin Maazel. He made his Severance Hall and Carnegie Hall debuts with The Cleveland Orchestra in performances of Salome with Franz Welser-Möst. Recent concert engagements included a return to the Santa Fe Symphony for Handel’s Messiah, and added the Requiems of Verdi and Brahms plus Mendelssohn’s Elijah to his repertoire.

Additional career highlights include Leporello in Don Giovanni with the Ryan Opera Center, Don Magnifico in La Cenerentola with the Merola Opera Program, the title role in Don Pasquale on tour with the Santa Fe Opera, Mr. Emerson in Nelson’s A Room with a View (DVD by Newport Classics), Sancho in Telemann’s Don Quichotte and Polyphemus in Acis and Galatea with Houston’s Mercury Baroque (KUHF records), Bottom in Britten’s A Midsummer Night’s Dream, Caspar in Weber’s Der Freischütz, Jaggers in Argento’s Miss Havisham’s Fire, The King in Prokofiev’s The Love for Three Oranges, Dikoy in Janáček’s Katya Kabanova, and Dr. Miracle in Offenbach’s Les Contes d’Hoffmann.

A fervent proponent of contemporary composers, Handley has delivered several world premieres, including Wlad Marhulet’s The Property with Chicago’s Lyric Unlimited, and the music of Scott Gendel and Dan Black with the Madison Contemporary Orchestra. He has been a guest artist with the Houston Symphony, the National Symphony with Leonard Slatkin, and the Chicago Symphony at Ravinia with James Conlon. Among his several recordings, Argento’s Casanova’s Homecoming is available through Newport Classics and the DVD of his collaboration with Peter Schickele for P. D. Q. Bach in Houston: We Have a Problem is available from Acorn Media.

L2 Artists, LLC

+1 (212) 419-2986

Home | Artists | Press | About | Contact

L2 Artists, LLC

+1 (212) 419-2986

106 West 32nd Street
Floor 2
New York, NY 10001

© L2 Artists 2018 Designed by Audrey Saccone / Copy by Patrick Kirkland