Samuel Levine, tenor

Beth Lytwynec
Beth Lytwynec

Sam Levine is a radical voice in opera. The “wonderfully appealing,” “ardent tenor” (The New York Times) regularly performs new and contemporary works to great acclaim, while collaborating with cutting-edge directors and presenters to explore new ways of performing the standard repertory.  His performances are distinguished by his “full-bodied” and “bright-voiced” tenor (The Wall Street Journal), deeply sensitive musicianship, and winning charisma on stage. In the 2018-19 season, Mr. Levine will return to Oper Frankfurt in a series of exciting roles, including Bertoldo in the contemporary opera Enrico by Manfred Trojahn, as well as Andy in Lost Highway by Austrian composer Olga Neuwirth in a new production by rising director Yuval Sharon. Additional European appearances include the role of Vogelsang in Wagner’s Die Meistersinger von Nürnberg at Nationatheatre Maanheim.

Highlights of 2017-18 include his debut with Opera Philadelphia in their inaugural festival, O17, as Testo and Noah in the Monteverdi/Beecher double bill War Stories. Mr Levine sings Handel’s Messiah in his debut with The Houston Symphony under the baton of Paul Agnew, and makes his European debut as Bertoldo in a new production of Enrico at Oper Frankfurt. Further performances in Frankfurt include Janáček’s From the House of the Dead and children’s performances based on Wagner’s Ring Cycle. Progressive projects include a reprise of the roles of Joe and Marcus (of which he was the originator) in Three Way at the Brooklyn Academy of Music; the title role of Frankenstein with West Edge Opera; and the title role in the world premiere of Mara: A Chamber Opera at the Rubin Museum, with texts by the international Buddhist teacher, author, and scholar Stephen Batchelor.

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Mr. Levine is a 2017 graduate of the Juilliard School, where he received of the Artist Diploma in Opera Studies and the Novice Career Advancement Grant. Roles at Juilliard included Vana Kudrjas in Kat’a Kabanova, 1st Armed Guard in The Magic Flute, and Le Mari in Le Mamelles de Tirésias. He also appeared with Steven Blier and the New York Festival of Song, both at Juilliard and under the auspices of the 5 Boroughs Music Festival. Outside engagements during this period included a return to Boston Lyric Opera for Carmen; Mascagni’s Iris at Bard SummerScape; the world premiere of Three Way at Nashville Opera; a workshop of Ariodante at National Sawdust with frequent collaborators RB Schlather and Geoffrey McDonald; and Testo in Monteverdi’s Il Combattimento with Cantata Profana.

A champion of new music, Mr. Levine has originated 11 roles to date. World and North American premieres include Noah in I Have No Stories to Tell You with Gotham Chamber Opera at the Metropolitan Museum of Art; Joe and Marcus in Three Way with Nashville Opera and American Opera Projects; 1st Traveler in Clemency with Boston Lyric Opera; Ravana in River of Light with Houston Grand Opera East + West; Andy in Lost Highway at the Miller Theater; and Léon in the new performing edition of The Ghosts of Versailles with Opera Theater of Saint Louis and Wexford Festival Opera, which was awarded “Best Opera” by the Irish Times. He also regularly collaborates with innovative directors to present existing works in new, daring ways: such productions have included RB Schlather’s Alcinain a lower Manhattan gallery space and Ariodante workshop at National Sawdust; the title role of Frankenstein with Matthew Ozawa in an abandoned factory with West Edge Opera; Carmen set in sacred spaces of Savannah and coastal Maine with Edwin Cahill; and the Monteverdi/Beecher double bill War Stories with Robin Guarino at the Metropolitan Museum of Art and Philadelphia Museum of Art.

Prior to attending Juilliard, Mr. Levine enjoyed performing across North America and abroad. Highlights of this period include Narraboth in Salome with Virginia Opera; Don Ottavio in Don Giovanni with Boston Lyric Opera; Mambre in Mose in Egitto with Chicago Opera Theater; Fenton in Sir John in Love with Odyssey Opera; in Carmen as Remendado with Boston Lyric Opera and as Don José with Savannah VOICE Festival and Bay Chamber Concerts; Normanno in Lucia di Lammermoor with Arizona Opera; two roles with Gotham Chamber Opera; Lenski in Eugene Onegin with Eugene Opera; the title role of Der Protagonist with Fire Island Opera Festival; Bach’s Kantata 163 with the Tanglewood and Aspen Music Festivals; Messiah with Chicago’s Apollo Chorus and the Fort Wayne Symphony; and Bernstein’s Wonderful Town with the Orchestra Sinfonico di Milano Giuseppe Verdi. Awards have included the 2017 Gerda Lissner Foundation Grant Award, 2013 Liederkranz Competition, 2011 Licia Albanese-Puccini Foundation, 2010 Schuyler Foundation for Career Bridges, 2009 Metropolitan Opera National Council Southeast Region.

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