Equally adept within the realm of oratorio, his other concert appearances encompass performances of Glass’ the CIVIL warS with the Los Angeles Philharmonic; Vaughan Williams’ Fantasia on Christmas Carols with the Pittsburgh Symphony; Vaughan Williams’ Five Mystical Songs with the Asheville Symphony Orchestra; Gounod’s Messe Solennelle de Sainte Cécile with Les Escales Musicales d’Evian; Orff’s Carmina Burana with the Alexandria Symphony; he sang William Schuman’s cantata, Casey at the Bat with the Reno Philharmonic; Haydn’s Lord Nelson Mass with the Boston Youth Symphony; Handel’s Messiah with the Rhode Island Philharmonic; Bach’s Mass in B minor at Portugal’s Aviero Music Festival; Beethoven’s Symphony No. 9 as a guest artist at Brown University; as well as Faure’s Requiem with the Pittsburgh Youth Symphony, and Schubert’s Mass in G and Rutter’s Mass of the Children with the Pittsburgh Concert Chorale. He has also sung Haydn’s Creation with the Robert Page Festival Singers at the Virginia Arts Festival as well as on tour in Vienna and Budapest, Mahler’s Songs of a Wayfarer with the Aspen Contemporary Ensemble, as well as performances of Brahms’ Ein deutsches Requiem. He has also presented solo recitals under the auspices of The Dallas Opera, the Théâtre du Capitole de Toulouse and at West Liberty University. 

He enjoys a strong relationship with Pittsburgh Opera, where he has sung the lead baritone role of Tom Joad in Gordon’s The Grapes of Wrath, Zurga in Les pêcheur de perles, Papageno, Mercutio in Roméo et Juliette, Ping, Junius in The Rape of Lucretia, the Novice’s Friend in Billy Budd, Angelotti in Tosca as well as Guglielmo in student performances of Così fan tutte. Other recent performances include Marcello, Minskman in Dove’s Flight, and Ping with Austin Lyric Opera; Papageno, Aeneas in Dido and Aeneas, and Adonis in Venus and Adonis with Florentine Opera; Ned Keene in Peter Grimes and Mercutio with Des Moines Metro Opera; Marcello and Zurga with Nashville Opera; Schaunard in La bohème with Opera Philadelphia; Sharpless in Madama Butterfly at Lyrique-en-Mer/Festival de Belle-Île; Joseph Pitt in Peter Eötvös’ Angels in America with Fort Worth Opera; Astolfo in the world premiere of Lewis Spratlan’s Life is a Dream and Hermann in Les contes d’Hofmann with Santa Fe Opera; Count Almaviva and Falke in Die Fledermauswith the Opera Theatre of Pittsburgh; and the title role of Eugene Onegin, Guglielmo, and the Forester in The Cunning Little Vixen with Aspen Opera Theater. He has also joined symphony orchestras including the Los Angeles Philharmonic for Angelotti, Marullo in Rigoletto, and the Mandarin in Turandot, and the San Francisco Symphony for Fidelio with Michael Tilson Thomas conducting. 

He received his Master of Music from the University of Cincinnati-College Conservatory of Music where his performances included title role in Carlisle Floyd’s Markheim. He was graduated cum laude from Rice University’s Shepherd School of Music. He was also a 2006 national semifinalist in the Metropolitan Opera National Council Auditions and is also a former member of the young artist programs of Santa Fe Opera and Cincinnati Opera.